Last weekend saw Modified Nationals at Peterborough Showground roll around again and with it, a chance to see how far my photography had progressed since last year. It was a similar situation to last time – a case of shoot when you can where you can, make the best of the gale-force wind and hopefully come away with something that stands out.
This is time our glamourous location was the back of the Exec building with its sandy coloured walls bouncing the intermittent sunshine around making the scene pretty even and flat.
Ambient light only
Just out of the frame in that image is a sky full of bright cloud that I wanted to keep some detail in for wider compositions and that meant that at my sync speed of 1/200th I had to stop down to around f/11. Too much for my speedlights to act as main lights so out came the Elinchrom Quadras – one lighting the front of the car, the other hitting it broadside. The speedlights were cranked up to full power, zoomed to 70mm and pressed into action as rim lights to stop the black and blue car blending into the blue and black background and to add a little sculpting to the girls.
A few test shots later (and a little post production for this image) I had the lights dialed in and giving results like this:
Speedlight back camera left and right as rim lights, Quadras camera left and right as main and fill. Everything around full power
Time to bring on the girls… and “camera shy” Chris the owner. For these shots the flash that was lighting the front of the car is now being fired through a shoot through umbrella.
Chris & The Girls - Notice the rim lights making Jen & Lucy pop off the background
And a wider composition to show the position of the rim lights.
Chris & The Girls - Rim lights included in the shot
By this time then Quadras were flagging and had put themselves into slow recycle mode to preserve what little battery life they had left so for the next set up I scaled down and went ETTL for the first time! Shooting a bike this time meant I didn’t need to light such a large area and my on camera 580EXII, and working in ETTL meant I could keep my aperture down to f/4 and bump my shutter speed up to 1/640th. I had my 580 dialed down to -1 2/3 stop of flash exposure compensation acting as on axis full while two 430EXII’s set at +1 stop provided rim light again.
Lucy being lifted off the background by 2 speedlights acting as rim lights
More photos from the shoot in the slideshow below and, as always, hit the bottom right icon for some full screen goodness.
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